Stern and César Pelli and critics Paul Goldberger and Cathleen McGuigan attest in interviews for the film, it was Eero’s majestic forms that captured the ebullient spirit of postwar America better than the work of any other mid-century modern architect. Louis, the International Style–exemplar John Deere World Headquarters in Moline, Illinois, and the surreal, lithic Stiles Colleges at Yale. On full display is the sheer force of the master architect’s imagination, from which sprung structures as different as the futuristic (and fascistic, according to some critics) Gateway Arch in St. Manuscripts & Archives, Yale University LibraryĪccompanied by a camera crew and a drone shooting in 6K, Eric visits thirteen of Eero’s building sites in a quest to find out what his father was up to during all those hours spent away from home. Eero Saarinen with model and sketches of St.
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